SELECTED PUBLICATIONS

The Indiscipline of Painting, Martin Clark (Editor), Sarah Shalgosky (Editor), Daniel Sturgis (Editor), Tate Publishing, October 1, 2011

On Painting, Poor Farm Press (2011) with an essay by: Ann Craven, Susanna Coffey, Anoka Faruqee, Michelle Grabner, Peter Halley, Thomas Lawson, Judy Ledgerwood, Rebecca Morris, Carrie Moyer, Jon Pestoni, Sabina Ott, Scott Reeder, Molly Zuckerman Hartung

No Soul For Sale—A Festival of Independents, The Tate Modern, edited by Cecilia Alemani, Maurizio Cattelan, Massimiliano Gioni, Ali Subotnick, Charley Independents Publication (2010)

These Are The People in Your Neighborhood: Sixteen Years of Gallery 16 (2010) essay by Mark Van Proyen

Can I come Over to Your House: The First Ten Years of the Suburban, Poor Farm Press (2010) with an essay by Michael Newman

The Studio Reader, The University of Chicago Press (2010) edited by Mary Jane Jacob and Michelle Grabner, Introduction by Michelle Grabner

there are many things in the air and all of them are for free, Poor Farm Press (2010) with an essay by Nicholas Frank

Michelle Grabner’s Black Circle Paintings, Poor Farm Press (2009) with an essay by Annika Marie

Remain in Light, Illinois State University (2008) with essays by, Lane Relyea and Peter Ribic

Minimalism and After, Hatje Cantz (2007) essay by Renate Wieghager, Claudia Kleinbub, Friederike Nymphius, Rudolf Scheutle and Claudia Seidel

The Suburban: The Early Years, self-published (2003) with essays by Nicholas Frank, Matthew Higgs, and Peter Ribic

Sweetness and Light, self-published (2001) with essays by Shane Campbell and Nicholas Frank

Charley 01, edited by Maurizio Cattelan, Charley Independents Publication (2001)

Post-Hypnotic, Illinois State University Press (1999) with essays by Dave Hickey, Barry Blinderman, Peter Halley and Tom Moody

Home Painting, published by Rocket Gallery, London (1999) with an essay by Jerome Sans

 If Walls Could Talk, published by Hermetic Gallery, Milwaukee (1997) with an essay by Nicholas Frank

25 Americans: Painting in the 90s, Milwaukee Art Museum (1995) with an essay by Dean Sobel